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Accessibility helpSign InSubscribeFinancial TimesSubscribeSign InHomeWorldWorld HomeMiddle East warGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaIran warns it will hit US bases across region hours after president’s apologyWe’ll always have DubaiThe war of unintended consequencesIn the centre of the storm: what does the Iran war mean for Dubai?Trump’s war on Iran is spreading. Where does it stop?USUS HomeUS EconomyUS CompaniesUS Politics & PolicyIran warns it will hit US bases across region hours after president’s apologyThe war of unintended consequencesTrump’s war on Iran is spreading. Where does it stop?Donald Trump calls for more US military action in Latin AmericaUS faced with few good options to tamp down surging oil pricesCompaniesCompanies HomeEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportIn the centre of the storm: what does the Iran war mean for Dubai?Is the nightmare scenario for global energy here?Palmer Luckey’s $1bn pitch to reboot 1990s video game consolesThe last of Hong Kong’s colonial-era trainee schemesUS faced with few good options to tamp down surging oil pricesTechTech HomeArtificial intelligenceSemiconductorsCyber SecuritySocial MediaPalmer Luckey’s $1bn pitch to reboot 1990s video game consolesUS draws up strict new AI guidelines amid Anthropic clashGoogle gives CEO Sundar Pichai new pay deal worth up to $692mnOracle and OpenAI scrap deal to expand flagship Texas data centreIran hits Amazon data centres in jolt to Gulf AI driveMarketsMarkets HomeAlphavilleMarkets DataCryptoCapital MarketsCommoditiesCurrenciesEquitiesMonetary Policy RadarWealth ManagementMoral MoneyETF HubFund ManagementTradingIs the nightmare scenario for global energy here?US faced with few good options to tamp down surging oil pricesBritain is now the home of the Middle ManInvestors are not ready for a true shockA week of war in charts: the impact on the USClimateOpinionOpinion HomeColumnistsThe FT ViewThe Big ReadLexObituariesLettersWe’ll always have DubaiThe war of unintended consequencesIs the nightmare scenario for global energy here?Britain is now the home of the Middle ManHow mackerel became Schrödinger’s fishLexWork & CareersWork & Careers HomeBusiness School RankingsBusiness EducationEurope's Start-Up HubsEntrepreneurshipRecruitmentBusiness BooksBusiness TravelWorking ItGoogle gives CEO Sundar Pichai new pay deal worth up to $692mnPapier founder: ‘I don’t own stocks or shares — it’s too much risk’Are you financially ‘prepped’ for higher inflation?Couples navigate their new money dynamicsAfter years of pay gap reporting, what do we know?Life & ArtsLife & Arts HomeArtsBooksFood & DrinkFT MagazineHouse & HomeStylePuzzlesTravelFT GlobetrotterWe’ll always have DubaiTrump’s war on Iran is spreading. Where does it stop?Palmer Luckey’s $1bn pitch to reboot 1990s video game consolesHereditary peer Lord Mancroft: ‘They don’t care about fox hunting. It’s about us’Marinelli: my 15-year quest to ski the biggest face in the AlpsHow To Spend ItLife & ArtsArtsDanceHomeWorldUSCompaniesTechMarketsClimateOpinionLexWork & CareersLife & ArtsHow To Spend ItFinancial TimesSubscribeSign InLife & ArtsInterview. Tiler Peck: a once-in-a-generation dancer with a second actAs she returns to Sadler’s Wells, the American ballet principal talks craft, choreography, career longevity — and marrying her dance partnerLife & ArtsWhy Giselle is the ballerina’s HamletThis most demanding of ballets has returned to Covent Garden — and with it come triumphs, mis-steps and tearsLife & ArtsCarlos Acosta’s Don Quixote — bravura tricks bring sunshine to BirminghamThis joyous, peppery production is brightly danced and wittily played — with a medal-winning turn from Katherine Ochoa’s KitriLife & ArtsPina Bausch: Sweet Mambo — sublime moments awash in a stream of running gagsThe 2008 work returns to Sadler’s Wells with seven veterans from the original cast — and too many recycled ideasLife & ArtsPaul Taylor’s witty, characterful dancemaking returns to LondonMore than two decades since its last UK visit, the Paul Taylor Dance Company delighted with jazz and tango-influenced works at the Linbury TheatreLife & ArtsYorke Dance Project and the mission to preserve dance for the futureThe company revives heritage repertoire alongside new work. But keeping old pieces alive requires commitment — and cashLife & ArtsWoolf Works review — Wayne McGregor’s lyrical triptych still dazzlesThe Royal Ballet’s technical brilliance was on full display in this revival of an homage to Virginia WoolfLife & ArtsI came to Woolf Works a sceptic — now I can’t stop going backWayne McGregor’s creation is back at the Royal Opera House — and it captures vividly what it is like to experience Virginia Woolf’s writingLife & ArtsAkram Khan’s Giselle review — a masterclass in physical controlDespite its sometimes impenetrable narrative, this reworking of the 1841 tale has become one of English National Ballet’s signature worksNon-FictionOur bodies, ourselves — We Are Movement by Wayne McGregorThe choreographer invites us to cultivate our ‘physical intelligence’ — the body’s capacity to sense, decide and learn independently of conscious thoughtLife & ArtsMatthew Bourne’s gorgeously staged The Red Shoes returnsThe choreographer’s popular reworking of the 1948 film is revived at London’s Sadler’s WellsLife & ArtsBallet Black brings the darkly comic story of a serial killer to the stageProgramme at London’s Sadler’s Wells also features newly commissioned Jung-inspired piece A Shadow WorkLife & ArtsHow to crack The NutcrackerCarlos Acosta, Federico Bonelli and more explain how they’re ramping up the Christmas favourite this seasonLife & ArtsRoyal Ballet’s Perspectives caps a vintage week for London balletgoersThe mixed bill brought world and UK premieres — and a strong performance of George Balanchine’s SerenadeHTSIWhy Scrooge is getting his groove on at Sadler’s WellsTwo stalwarts of British dance on giving A Christmas Carol a Caribbean hip-hop flavourLife & ArtsThikra is an intriguing swansong for the Akram Khan CompanyTwelve women dancers tell a story of cultural collisions along the ancient ‘Incense Road’Life & ArtsInterview. Wayne McGregor on embracing AI — and why we should all think like dancersOn the eve of a cutting-edge exhibition at London’s Somerset House, the choreographer wants us to unlock our physical potentialMusicAn exquisite staging of Gesualdo’s Passione has shades of CaravaggioLes Arts Florissants and Amala Dianor Company joined forces at the Barbican HallLife & ArtsLa Fille mal gardée is a comic masterpiece — and an accident waiting to happenOn stage with the Royal Ballet tonight: a pony, a flying umbrella and several hundred metres of pink ribbon. What could possibly go wrong?Life & ArtsRoyal Ballet and English National Ballet’s season openers come crowded with incident‘R:Evolution’ and ‘Like Water for Chocolate’ offer dense, often dazzling dance-makingLife & ArtsMichael Keegan-Dolan’s dance memoir is poignant, illuminating and very, very funnyThe Irish performer and his wife Rachel Poirier excel in ‘How to be a Dancer in Seventy-two Thousand Easy Lessons’ at Sadler’s Wells EastLife & Arts‘Josephine Baker liberated women’s bodies’A century on from the dancer’s debut at the Champs-Élysées Theatre, the Paris venue celebrates her extraordinary lifeLife & Arts‘Borda’ is a dance crescendo from veteran choreographer Lia RodriguesThe Brazilian’s new work, showcased at the Lyon Dance Biennale, grows from modest beginnings into something carnivalesqueLife & ArtsWe Should Have Never Walked on the Moon — a dizzying dance buffet at London’s Southbank CentreRambert and (LA)HORDE Ballet National de Marseille have combined forces to present an almost overwhelming array of performances across the complexLife & ArtsInterview. Choreographer Alexei Ratmansky: ‘The war changed everything’The former director of Moscow’s Bolshoi Ballet used to be apolitical — then came the invasion of UkraineHelp CentreContact UsAbout UsAccessibilityCareersSuppliersTerms & ConditionsPrivacy PolicyCookie PolicyManage CookiesCopyrightSlavery Statement & PoliciesShare News Tips SecurelyIndividual SubscriptionsProfessional SubscriptionsRepublishingExecutive Job SearchAdvertise with the FTFollow the FT on XFT ChannelsFT SchoolsPortfolioFT AppFT Digital EditionFT EditAlerts HubBusiness School RankingsSubscription ManagerNews feedNewslettersCurrency ConverterFT Live EventsFT ForumsFT Leaders AcademyMore from the FT GroupFT Editorial Code of PracticeUKSubscribe for full accessHomeWorldMiddle East warGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaUSUS EconomyUS CompaniesUS Politics & PolicyCompaniesEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportTechArtificial intelligenceSemiconductorsCyber SecuritySocial MediaMarketsAlphavilleMarkets DataCryptoCapital MarketsCommoditiesCurrenciesEquitiesMonetary Policy RadarWealth ManagementMoral MoneyETF HubFund ManagementTradingClimateOpinionColumnistsThe FT ViewThe Big ReadLexObituariesLettersLexWork & CareersBusiness School RankingsBusiness EducationEurope's Start-Up HubsEntrepreneurshipRecruitmentBusiness BooksBusiness TravelWorking ItLife & ArtsArtsBooksFood & DrinkFT MagazineHouse & HomeStylePuzzlesTravelFT GlobetrotterPersonal FinanceProperty & MortgagesInvestmentsPensionsTaxBanking & SavingsAdvice & CommentHow To Spend ItSpecial ReportsAlphavilleFT EditLunch with the FTFT Globetrotter#techAsiaMoral MoneyVisual and data journalismNewslettersVideoPodcastsNews feedFT SchoolsFT Live EventsFT ForumsFT Leaders AcademymyFTPortfolioFT Digital EditionCrosswordOur AppsHelp CentreSubscribeSign In

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