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Accessibility helpSign InSubscribeFinancial TimesSubscribeSign InHomeWorldWorld HomeMiddle East warGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaTrump’s Venezuela strategy has failed in IranKharg Island: Iran’s oil lifeline that Trump has left untouchedWhich economies will pay the biggest price for the Iran war?Farage misses out on Trump meeting as their relationship coolsG7 discuss joint release of emergency oil reservesUSUS HomeUS EconomyUS CompaniesUS Politics & PolicyTrump’s Venezuela strategy has failed in IranKharg Island: Iran’s oil lifeline that Trump has left untouchedWhich economies will pay the biggest price for the Iran war?Farage misses out on Trump meeting as their relationship coolsIran war will leave a complex geoeconomic legacyCompaniesCompanies HomeEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportKharg Island: Iran’s oil lifeline that Trump has left untouchedWhich economies will pay the biggest price for the Iran war?G7 discuss joint release of emergency oil reservesEx-EY executive launches private equity-backed tax firm to challenge Big FourSheryl Sandberg and Nick Clegg join Nvidia-backed AI start-up NscaleTechTech HomeArtificial intelligenceSemiconductorsCyber SecuritySocial MediaSheryl Sandberg and Nick Clegg join Nvidia-backed AI start-up NscaleAnthropic sues Pentagon claiming supply chain risk label could cost billions in revenueKKR eyes multibillion-dollar sale of data centre cooling companyMicrosoft adds Anthropic AI models to its Copilot workplace toolsDarktrace names third chief in 18 months amid US expansion driveMarketsMarkets HomeAlphavilleMarkets DataCryptoCapital MarketsCommoditiesCurrenciesEquitiesMonetary Policy RadarWealth ManagementMoral MoneyETF HubFund ManagementTradingKharg Island: Iran’s oil lifeline that Trump has left untouchedWhich economies will pay the biggest price for the Iran war?G7 discuss joint release of emergency oil reservesIran war will leave a complex geoeconomic legacyPimco sticks with bet on gilts despite market slumpClimateOpinionOpinion HomeColumnistsThe FT ViewThe Big ReadLexObituariesLettersTrump’s Venezuela strategy has failed in IranIran war will leave a complex geoeconomic legacyAmerica chose this war — and must now choose how to end itStagflationary forces are buildingWhy it’s time to end the grim march of the touchscreenLexWork & CareersWork & Careers HomeBusiness School RankingsBusiness EducationEurope's Start-Up HubsEntrepreneurshipRecruitmentBusiness BooksBusiness TravelWorking ItWhy it’s time to end the grim march of the touchscreenYou can turn this to your advantage if every news story has ‘tax exile’ in itBusiness school professors’ picksLife & ArtsLife & Arts HomeArtsBooksFood & DrinkFT MagazineHouse & HomeStylePuzzlesTravelFT GlobetrotterHow to wear a tie: HTSI’s definitive guideThe new food fad sweeping KoreaWine storage is emerging from the cellarFlip it and reverse it: the enduring fun of Jaeger-LeCoultre’s Reverso ‘Match of the century’ referee Lothar Schmid’s chess library up for auctionHow To Spend ItLife & ArtsArtsTelevisionHomeWorldUSCompaniesTechMarketsClimateOpinionLexWork & CareersLife & ArtsHow To Spend ItFinancial TimesSubscribeSign InLife & ArtsThe best of TV and streaming this weekDark infidelity drama ‘DTF St Louis’ (★★★★★); ‘Molly vs the Machines’ is a rage-inducing documentary on social media; erotic fantasy ‘Vladimir’ — plus ‘Dirty Business’ (★★★★★) about England’s polluting water companies. Reviews by Rebecca NicholsonMediaITV ‘actively engaged’ with Sky to sell broadcast division, chief saysCarolyn McCall says 5% slide in advertising revenue will not affect ongoing talksThe best of TV and streaming this weekRachel Weisz descends into erotic fantasy in Netflix’s VladimirThe actor stars as a college professor who becomes fixated on a younger colleague played by Leo WoodallThe best of TV and streaming this weekMolly Vs the Machines — a harrowing, rage-inducing documentary about social mediaThe suicide of teenager Molly Russell is at the heart of a provocative film that aims to dismantle tech companies’ defencesBehind the Money podcastCo-creators Mickey Down & Konrad Kay on ‘Industry’An interview with the creators of the hit TV drama, ‘Industry’The best of TV and streaming this weekJason Bateman and David Harbour bond in brilliantly surreal infidelity drama DTF St LouisA singular HBO series evolves from blossoming bromance to knotty murder mysteryUS companiesLex. Netflix could be streaming media’s most victorious loserBuying WBD for $83bn would have cost the streaming giant financial flexibility and its ability to take on YouTubeThe best of TV and streaming this weekDirty Business — thrilling drama about Britain’s filthy water is a rallying call to armsChannel 4 mini-series has a strong message, a sharp creative vision and charming performances from David Thewlis and Jason WatkinsThe best of TV and streaming this weekDisney+’s Scrubs reboot is silly, sentimental and slow to find its funny boneThe hospital sitcom is back with the same cast and surreal humour — and some cranky modern updatesThe best of TV and streaming this weekPaul McCartney’s ‘uncool’ years reconsidered in Man on the RunDocumentary skips through the 1970s as the musician forms Wings and searches for ordinary life amid notoriety and sheepLife & ArtsThe BBC’s Walsh Sisters adaptation takes the bite out of Marian Keyes’ novelsThe Dublin-set series is cosy and mesmerisingly slow — save for some frenetic cliffhangersEconomic statisticsFT Alphaville. The ONS wants Auntie to know that field agent impersonation isn’t clever, cool or funnyKnock knock…FilmBafta to reward ‘human creativity’ as film and TV grapples with AIChair Sara Putt acknowledges concerns in production sector about technology taking jobsThe best of TV and streaming this weekOrhan Pamuk’s The Museum of Innocence becomes an awkward Netflix seriesThe Nobel-winner’s 2008 novel about a man’s obsessive affair with a much younger women gets lost in translationThe best of TV and streaming this weekThe Tony Blair Story — former PM gets a grilling in a gripping docuseriesChannel 4’s astute three-parter examines his domestic legacy and Iraq, with candid contributions from Jeremy Corbyn — and Cherie BlairCBS BroadcastingCBS turmoil deepens as Cooper quits and Colbert defies lawyersJournalist’s exit comes as Bari Weiss seeks to revive Paramount-owned television networkThe best of TV and streaming this weekInside America’s Next Top Model — a grisly reckoning with 2000s reality televisionA Netflix documentary on the controversial modelling competition suggests its creators have learnt littleNorthern IrelandHow to get to TV heaven? From BelfastLisa McGee’s new Netflix drama comes as Northern Ireland enjoys a film and TV boomJames Van Der BeekObituary. James Van Der Beek, actor, 1977-2026As the star of the television drama ‘Dawson’s Creek’, he captured the hearts of teenagers the world overTheatreYes Minister update I’m Sorry, Prime Minister shows that politics may be beyond a jokeStage version of the beloved sitcom relies on jokes about social progress and cancel culture rather than Westminster machinationsEconomic statisticsFT Alphaville. The ONS vs IndustryThe stats agency / prestige television beef we didn’t know we neededLife & ArtsLove Story — JFK Jr and Carolyn Bessette saga is a glossy and gossipy US version of The CrownRyan Murphy turns his gaze on the Kennedys and their place at the heart of American societyLife & ArtsHow to Get to Heaven from Belfast — Derry Girls creator returns with a wild and gag-laden Netflix showLisa McGee’s genre-defying Netflix series centres on three friends who become embroiled in a murder mysteryLife & ArtsInterview. How Walter Iuzzolino sold the UK on subtitled TVThe brains behind Channel 4’s Walter Presents on tracking down the world’s best shows — and moving to a new city each yearTurkish economyHigh inflation punctures Turkey’s TV soap bubbleDizi television dramas popular across the world are a parable of country’s broader economic woesJoin us at an FT Live eventFT LiveThe rise of cross-media entertainment deals and transmedia IP strategiesFT LiveBusiness of Entertainment SummitExplore all eventsHelp CentreContact UsAbout UsAccessibilityCareersSuppliersTerms & ConditionsPrivacy PolicyCookie PolicyManage CookiesCopyrightSlavery Statement & PoliciesShare News Tips SecurelyIndividual SubscriptionsProfessional SubscriptionsRepublishingExecutive Job SearchAdvertise with the FTFollow the FT on XFT ChannelsFT SchoolsPortfolioFT AppFT Digital EditionFT EditAlerts HubBusiness School RankingsSubscription ManagerNews feedNewslettersCurrency ConverterFT Live EventsFT ForumsFT Leaders AcademyMore from the FT GroupFT Editorial Code of PracticeUKSubscribe for full accessHomeWorldMiddle East warGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaUSUS EconomyUS CompaniesUS Politics & PolicyCompaniesEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportTechArtificial intelligenceSemiconductorsCyber SecuritySocial MediaMarketsAlphavilleMarkets DataCryptoCapital MarketsCommoditiesCurrenciesEquitiesMonetary Policy RadarWealth ManagementMoral MoneyETF HubFund ManagementTradingClimateOpinionColumnistsThe FT ViewThe Big ReadLexObituariesLettersLexWork & CareersBusiness School RankingsBusiness EducationEurope's Start-Up HubsEntrepreneurshipRecruitmentBusiness BooksBusiness TravelWorking ItLife & ArtsArtsBooksFood & DrinkFT MagazineHouse & HomeStylePuzzlesTravelFT GlobetrotterPersonal FinanceProperty & MortgagesInvestmentsPensionsTaxBanking & SavingsAdvice & CommentHow To Spend ItSpecial ReportsAlphavilleFT EditLunch with the FTFT Globetrotter#techAsiaMoral MoneyVisual and data journalismNewslettersVideoPodcastsNews feedFT SchoolsFT Live EventsFT ForumsFT Leaders AcademymyFTPortfolioFT Digital EditionCrosswordOur AppsHelp CentreSubscribeSign In

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